Friday, February 12, 2016

Tintinnabulation still resonates at Poe Cottage

By Shant Shahrigian
Marisol Díaz/The Riverdale Press
Poe Cottage located at 2460 Grand Concourse is one of the Bronx Historical Society’s museums.
Marisol Díaz/The Riverdale Press
The walls feature images including a 20th century advertisement for an adaptation of Poe’s ‘The Raven.’
Marisol Díaz/The Riverdale Press
Edgar Allan Poe's kitchen contains period furniture similar to what the writer and his contemporaries used.
Marisol Díaz/The Riverdale Press
The rocking chair and the wall mirror, at top right, were original possessions of Edgar Allan Poe. Today they’re in the parlor of Poe Cottage.
Marisol Díaz/The Riverdale Press
The bed where Edgar Allan Poe’s wife Virginia Eliza Clemm Poe spent her last years.

Nestled among the bustling Fordham streets teeming with students, shoppers and traffic, sits the once placid cottage where one of America’s most notoriously tormented and eminent writers plied his craft.  

Edgar Allan Poe, who is often credited with developing the modern short story and mystery, lived with his wife and aunt between 1846 and 1849 in the house after it was converted from a farmhouse to a cottage on a bucolic estate.

Today the house is situated at 2460 Grand Concourse after city officials relocated it a century earlier just steps across the street from its original location near the corner of 192nd Street and East Kingsbridge Road.

“I always tell people, if there are any ghosts, they’re across the street looking for the house,” said Angel Hernandez, an educator for the Bronx Historical Society.

The biggest room in the house is a parlor where Poe possibly wrote “The Cask of Amontillado,” the short story about a man who seeks and seemingly achieves retribution with impunity.  

The chiming bells from the church at Fordham University, then
known as St. John’s College, purportedly inspired Poe to write the hypnotic lines about their tintinnabulation in the appropriately titled poem The Bells: “How they clang, and clash, and roar!  What a horror they outpour.” 

While the Bronx Historical Society has strived to recreate the 19th century ambience of Poe’s house for visitors today, a 2010 renovation stripped and repainted the cottage’s white exterior while workers made structural repairs to the 1812 building.

Still, the Poe Cottage maintains traces of the melancholy narrative of its former inhabitants. 

Poe and his family retreated to the area hoping the fresh air would provide a cure for his wife, Virginia, who suffered from tuberculosis. 

Virginia was only 13 when she married Poe, who was 27-years-old at the time. She was also his cousin.  However, some scholars suggest the two may have lived as siblings and the marriage was never consummated.

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