In the outskirts of Los Angeles, in the shadow of Alhambra, lies an estate called The Huntington.
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By RAPHAEL LASSAUZE
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1/12/20
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The sidewalk outside An Beal Bocht Café was illuminated by Christmas lights galore, yet was empty and cold. The café’s performance space, however, was occupied by the rehearsing sopranos and cellists, violinists and narrators of Classical Café, a Riverdale-based chamber music group, readying their performance of Dylan Thomas’ “A Child’s Christmas in Wales.”
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By RAPHAEL LASSAUZE
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1/5/20
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Wave Hill is on virtually every advertisement for the northwest Bronx, but rarely has its horticultural grandeur been bound to a book.
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By RAPHAEL LASSAUZE
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1/5/20
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It has been a year of things that were lost and things that were found, of righteous indignation and petty feuds, of new starts and milestones.
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12/29/19
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As the trains wended their way through lush cityscapes, children leaned, pointed and rejoiced. They tugged at their parents to get their attention, and scurried from one locomotive display to the next. The trains, like the children, were small, as were most of their surroundings.
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By JULIUS CONSTANTINE MOTAL
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12/22/19
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This was a particularly special day for David Nussenbaum, executive director of the arts ensemble, whose headquarters were nearby. “They don’t name streets after just anybody.”
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By RAPHAEL LASSAUZE
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12/15/19
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Even when there’s a choice, leaving home is an intensely difficult action. It’s harder, scarier, when one is forced to leave. The hope is that one can move forward, to keep living without forgetting roots, and maybe learning what home can be. Art can reveal this struggle.
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By RAPHAEL LASSAUZE
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12/15/19
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Jazz and the Balkans don’t seem compatible. The music is rooted in humidity, dancing, history and communication between souls, while the land is that of mountains, snow, a fierce language, and fierce people. But for Alma and Rale Micic, Belgrade and New Orleans are not that far apart.
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By RAPHAEL LASSAUZE
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12/15/19
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Playwright Samuel D. Hunter serves up a heaping spread of classic themes in the Lincoln Center Theater production of his new play, “Greater Clements.” Time has overtaken this Idaho mining town and left its inhabitants and visitors at a crossroads, unsure of their way forward. The bonds of family and lost love, youth and maturity, and authority and compromise entangle a band of idiosyncratic characters.
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By JAMES O'CONNOR
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12/15/19
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Yonkers, in the early afternoon, is the sound of landscapers and slowly driven cars.
A mere 20-minute walk from the city line, the area seems calm and distant. Yet in one of the large, well-kept houses that line the roads is an artist filled with the excitement and verve that comes from growing up in New York City. That artist is Julia Eisen-Lester.
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By RAPHAEL LASSAUZE
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12/8/19
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